In Fifth Business, Robertson Davies lays out the story of a man named Dunstable Ramsay who writes a letter (spanning the length of the book) to the headmaster of an academic institution where he used to teach and serve as headmaster himself. The book progresses from his birth to the first 16 or so years of his life in the little town of Deptford in Canada, a soldier in World War I, a student, a professor, and travelling the world to research saints, sprinkled in with many interesting interactions and associations that shape his life. Being the main character, Dunstan Ramsay can be described as an outwardly conforming yet inwardly inquisitive fellow who goes along with the protective and conservative ideals of his hometown yet questions them throughout the course of the play. Mrs. Dempster features significantly in the novel, a character with whom Dunstan has a great affinity and who serves more as a caring and motherly figure than Dunstan’s own mother. Percy Boy Staunton journeys with Ramsay through life as a sugar leader who excels in his societal position and gains both financial and social significance. Paul, Mrs. Dempster’s son, is shown later in the story as a magician who Ramsay had initially and is now a figure of surprise for Ramsay himself. Liesl is the person who most understands Ramsay’s true personality and disposition, his role as fifth business, always staying on the sidelines and unwilling to embrace the unusual devil inside him.
Theme: Related closely to the title, one of the major themes that develops in Fifth Business relates to the role that Dunstan Ramsay played as fifth business in his life and the role that we as human beings play in our lives and how the choices we make impact our own impressions of individuality and understanding ourselves.
The narrative voice conveyed in the novel is one of detachment and passiveness, as fulfilled by Ramsay’s role as fifth business. Even though Ramsay is essentially telling his audience his life’s story, he has a didactic attitude that lacks any sentimentality or attachment to the events of his life. Consequently, the tone of the narrator is one marked by distance and aloofness, almost a disinterest in the content of the story. It seems as though Ramsay is merely pointing out the significant events of his life rather than truly commenting on them and reflecting on his life. As the whole story is in the form of a novel, Davies makes abundant use of imagery. Whether it be to paint his thoughts or paint the setting, Davies appeals to the reader’s senses in more than one way to most effectively convey his story. For instance, the scene with the snowball and the falling of Mrs. Dempster is vividly portrayed, demonstrating close proximity to the birth of Jesus from Mary, which is also the name of Mrs. Dempster. The setting of a snowy night and the painting of Ramsay’s thoughts of holding himself guilty for Paul’s birth shows the extent to which Davies makes use of imagery. Later in the novel, the description of the gravel pit serves to indicate the physical limits on society that serve to indicate an abstract limit on its outlook. The description of the events that go on in the pit and the picture of Mrs. Dempster with the tramp relate back to Ramsay’s character and how every event in his life at Deptford and beyond as vividly seen by him have affected his thinking and outlook towards the world.
Like all the other pieces of literary merit, Fifth Business contains various symbols and references throughout. Starting with the title itself and its relation to the book as an autobiography leads the reader to recognize the development of Ramsay’s character and his inclination to remain on the sidelines, going with the flow of society yet questioning inwardly. Religion is another significant reference in the novel. Having grown up in close proximity to Christian beliefs and always having been instructed to adhere to these principles all through his life, Ramsay’s exploration along the study of saints allowed him to further explore the nature of religion and people of belief more closely, giving him a chance to understand how and whether saints are viewed and involved. According to my interpretation, even his wooden leg serves as a significant symbol that connects directly to the theme. As the wooden leg often serves the role of an obstacle in Dunstan’s life, Davies intends to show his audience how a hindrance such as this further exacerbated Dunstan’s role as fifth business in his life, encouraging him to stay on the sidelines. Lastly, Liesl herself is one of the most significant symbols in the novel, serving the role of a guide for Ramsay to understand his own character and personality better, giving way to embracing his inner, yet unusual devil, and recognizing his own individuality as it presents itself to him.
In a quote that ties in nicely to the theme, Liesl tells Ramsay that “You must get to know to know your personal devil.”, essentially stating that Ramsay has spent many years trying to explore the world, and especially the world of saints, yet he has never taken the time to consider his own self and try to understand all the various and complex aspects of his personality (213). In another quote, Ramsay states that “The autobiography of Magnus Eisengrim was a great pleasure to write, for I was under no obligation to be historically correct or to weigh evidence.”, indirectly referencing the readers to his own past and his portrayal of his life. While he has no difficulty sculpting the life of others, he has not yet fully encapsulated the true meaning of his own self, lingering to recognize his individual human character (215).